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Edward S. Curtis

EDWARD S. CURTIS used photogravure to illustrate his massive project, The North American Indian, which to this day the most exhaustive study of Native American culture. Published in 20 volumes from 1907 to 1930, each set included more than 2,200 photogravures, in both small and large formats.

Curtis grew up in the unbridled outdoors of Wisconsin and Minnesota in the late nineteenth century. After relocating to Seattle in the 1890s, he established himself as the city's premier society photographer. At the same time, he became interested in recording the lives of regional Indians. For the next 30 years he travelled from Arizona to Missouri to Alaska, methodically photographing more than seventy-five American tribes. Curtis was acutely aware of the changes occurring in Native American culture. He saw his encyclopedic project as a means of preserving Indian history and, consequently, tended to idealize his subjects. Sometimes Curtis altered hairstyle and costumes, and was known to have removed evidence of modern life from his compositions. His finished photogravures were romantically printed in the muted tones and soft-focus effect of pictorialism, the contemporaneous movement of high-art photography.

Photogravures from The North American Indian are usually presented outside the context of the entire project, which was a record in words and sound as well as images. Curtis recorded thousands of songs and wrote voluminously for the project to mold a comprehensive picture of the languages, populations, dress, dwellings, foods, arts, games, politics, ceremonies and biographies of his subjects. J. P. Morgan initially financed the series, which included a foreword by President Theodore Roosevelt. Although Curtis had planned a full edition of 500 copies, fewer than 175 were realized.

Edward S. Curtis
Edward S. Curtis, 1868 - 1952. Denotes An Original
Paviotso Woman of The North American. 1924.
Photogravure print.
13.7 x 18.2 cm