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| | 1883 | |
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T. & R. Annan of Scotland purchases a license to use Karl Kilc's photogravure process. |
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| | 1884 | |
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Eastman produces flexible negative film. |
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| | 1889 | |
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Peter Henry Emerson's Naturalistic Photography outlines photographic aesthetics, which he calls Naturalism. |
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| | 1892 | |
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Linked Ring Brotherhood was formed in London 1894.
Photo-Club de Paris held its first Salon where for the first time in France, photographs were shown for their aesthetic value.
First issue of Camera Notes, edited by Stieglitz is published.
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| | 1895 | |
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Emerson publishes "Marsh Leaves."
Dennison publishes "A Treatise On Photogravure."
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| | 1902 | |
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Stieglitz founds the Photo-Secession, a group of photographers dedicated to promoting pictorial photography as a fine art. |
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| | 1905 | |
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Stieglitz and Steichen open the Little Galleries of the Photo-Secession (called "291") in New York City. |
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| | 1906 | |
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Invention of off-set lithography, a printing process which eventually replaces photogravure as a more economical means of illustrating books. |
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| | 1907 | |
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Stieglitz creates the Steerage.
Stieglitz shows Pamela Coleman Smith, the first non-photographer, at 291.
Curtis publishes The North American Indian.
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| | 1908 | |
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The Little Galleries of the Photo-Secession name changes to 291.
Stieglitz shows Rodin at 291.
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| | 1910 | |
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The Photo-Secession peaks with the exhibit "International Exhibition of Pictorial Photography" at the Albright Art Gallery, Buffalo.
For the first time, Stieglitz publishes sketches of Maius DeZayas rather than photographs in "Camera Work."
Coburn publishes "New York."
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| | 1913 | |
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Primed by the work of Stiegliz, Steichen and 291, the Armory Show opens launching a full-scale attack of modern art on America.
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| | 1914 | |
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Baron de Meyer publishes Sur le Prélude à l'Après-midi d'un Faune.
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| | 1915 | |
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Stieglitz's The Steerage is published in large format as a special supplement to No. 7-8 of the art periodical "291."
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